Showing posts with label story ideas. Show all posts
Showing posts with label story ideas. Show all posts

Sunday, December 23, 2012

Sunshine and the Next Big Thing

So I usually put awards and memes on my awards & memes page, but since I haven't blogged in a while, I thought posting some Q&As in my actual blogging space would be a good way to get back into the swing of things. (Except not really because I'm on vacation in the States right now, so it probably won't work, haha.)

THE SUNSHINE BLOG AWARD


Thanks, Sophia, for passing this to me (and our fellow cabinmates from this summer's Camp Nanowrimo)! :)


I'm going with the set of questions Sophia posted, so here goes:

1: Do you sleep with your closet doors open or closed? 

Um, basically in whatever configuration they're in when I fall asleep. Most of the time one would be open because I like the convenience and am too lazy to bother closing them, but sometimes I close the doors for aesthetic purposes.

2: Do you take the shampoos and conditioner bottles from hotels? 

Not often. I don't like taking random free things unless I'm likely to use it (I dislike clutter), so I'd only take them if I really like them and would use them in the near future.

3: Do you sleep with your sheets tucked in or out?

Hm, the only sheet on my bed is the bed sheet; I don't use a top sheet. But in hotels, they usually tuck in that top sheet and it always annoys me because it's so uncomfortable! If it's hot, I want want to be able to uncover my legs sometimes, and if it's cold, I want the blanket tucked around ME, not the entire bed. Warming up all that extra space is a waste of my body heat!

4: Have you ever stolen a street sign before? 

No. See above re: dislike of free things that will just become clutter. I guess a really cool street sign would make an awesome decoration for some people, but that's not really my style.

5. What is your favorite time of year?

Vacation time! I like being lazy. Weather-wise, whenever it's not too hot or too rainy. In Taiwan, that would be autumn. It's the best time to visit!

6. What is your favorite time of day?

Late afternoon, for the pretty golden glow, and nighttime, because that's when I get to do my own things. Mornings are the WORST. Do not try to make conversation with me at breakfast unless you like monosyllabic answers served with a side of scowl.

7. Which are better, Legos or Lincoln Logs? 

I never played much with either when I was a kid. Legos, maybe? I feel like they're more versatile. And also they have more books on the NYT Bestseller List. (WHICH IS TOTALLY LAME, btw.)

8. Do you always smile for pictures? 

Ha. I'm one of those people the photographer is always telling to smile more. To which I usually want to say, "But I'm already smiling!" I guess I prefer smirks and small smiles to big, toothy grins, and have a tendency to err on the side of not being smiley enough. People have told me I look mad when I thought I was being perfectly neutral. (Poll: Do I look mad in that photo of me in the sidebar? I think I look relatively neutral. But I'm pretty sure I thought I was smiling, at least a little bit, when that photo was taken. See how much effort it takes me to even get to neutral? Sigh.)


THE NEXT BIG THING


I was tagged by Lura, whose non-traditional epic fantasy sounds fascinating! Thanks for thinking of me, Lura. :)

What is the working title of your book?

Ahh... I don't really have one yet. For Camp Nanowrio I just went with "PURE AWESOMENESS" because I'm optimistic like that. :P I really suck at naming things.

Where did the idea come from for this book?

I still remember reading Deep Wizardry by Diane Duane and becoming fascinated with the idea of a magical reenactment of past events. I think I've seen that in other books as well, but that was the book that really made an impression on me. I love the idea of people having to take on the roles of great legendary figures of the past, and going through a ritual reenactment of an important major event, and having it actually do something magical rather than just for symbolism. So that's how the premise came to be.

How long did it take to write the first draft?

*cries* It's not done yet! I have random beginnings and free-writes but no draft of even a full outline yet. I do mull over my idea a lot and I do have some of the characters and pieces of the plot figured out, but my progress is sooooo slow. I'm someone who needs to have everything planned out before I write, and plotting is SO HARD, so I'm still very much in the brainstorming/plotting/outlining phase. Where I've been for a really long time. But I really don't want to plot AND write at the same time — I'm determined to come up with a good outline, with most of the holes filled in, before I officially begin drafting.

What actors would you use for a movie rendition of your book?

Meh, I'm not really fond of this whole choosing-actors-for-book-characters activity. I don't care much about matching book characters to photographs of real people. Plus I don't watch a ton of movies, so the only actors I can think of are the major stars, and none of them really fit for my story. Since my characters' looks would be similar to that of East Asians in our world, ideally they'd be cast with Asian American actors. (Which I think would be preferable to stars brought over from Asia, but even that would be better than — universe forbid — WHITE ACTORS *shudder*). Ooh, maybe Sophia can be in it, since she totally qualifies as an Asian American actress. :D

What is a one-sentence synopsis of your book?

Gah, I suck at this one-sentence thing! It sounds so dumb when I try to condense the story. Didn't realize how impossible it is until I had to do it myself. And I don't even have definitive names for people yet (yes I suck at names)! This will probably be revised later, but here's my (terrible, horrible, no good, very bad) shot at it for now:

Confident and talented [protagonist] fully expects to be her goddess's representative for the Empire's most important ritual reenactment; but when an inexperienced newcomer is chosen instead, she takes it upon herself to make sure the girl's incompetence — and the rebel group determined to see a different outcome for the ritual — won't put the entire Empire at risk.

Will it be self published or represented by an agency?

Eh, dunno. Possibly neither. I'll worry about it after I've actually written the thing; I feel like it's too early for me to be thinking about this stuff already. I'm mainly interested in writing this story as a fun thing for myself. If it turns out to be decent then I'll think about monetizing it. Haha.

Who or what inspired you to write this book?

If you follow me on Goodreads or have discussed books with me, there is a good chance you've noticed that I have an inordinate amount of pet peeves (and Alz says they're even peevier than hers, so you know how bad they are!). Given how particular I am, it can be hard for me to find books that don't push my RAGE buttons while hitting all the right notes, like making me laugh or having characters I love or a brilliant plot (and all of that is very subjective and personal). So I guess I wanted to write a book for myself — one that includes my favorite tropes and stomps on the ones I hate. You know, like making a custom pasta dish yourself instead of going to a fancy Italian restaurant and picking one of the ones they have. Sure, the execution might not be as good (I'm a terrible cook), and some people will probably think my custom pasta is gross, but at least I will like it because it will have all of my favorite ingredients and NO MUSHROOMS!!!

Ahem. Mushroom hate aside, here's an old blog post about why I want to write that goes a little deeper.

What other books would you compare this story to within your genre?

Other than the YA Asian fantasies already out there, I'd want to compare it to Vessel by Sarah Beth Durst. Vessel also features a PoC heroine in a non-traditional epic fantasy setting who is involved in magical rituals that are important to her people, and decides on her own to take up a quest to fix an unexpected complication that pops up after years of training and dedication. At least that's my impression from reviews I've seen, since I haven't read it yet, so... yeah. But I got the ebook so I'll be reading it soon, and I'll let you know how it goes! (Also crossing my fingers that it doesn't have TOO many similarities with my story.)

What else about your book might pique the reader’s interest?

Hm. I guess you could say that it's the story of someone who'd usually be the "bitchy mean girl." I mean, there's a special snowflake in this story — she's suddenly swept into a new life, surprises everyone with an incredibly rare and powerful ability; she's expected to do great things; she doesn't think she's beautiful, but catches the eye of the Most Desirable Male on the first day (along with many of the slightly-less-desirable ones); she doesn't fit in with the popular girls, and her quirky sidekick — er, loyal friend — assures her that they're just jealous. But though she'd usually be the protagonist, she's not for this story.

One of the popular girls is the actual protagonist. She cares about looks, can be kind of conceited, and isn't particularly warm toward strangers. But she's also fiercely ambitious and practices her spells in the early hours because she's determined to be the best. She also has a close group of girlfriends (the other "popular girls") with whom she enjoys jokes and banter and gossip — particularly about Most Desirable Male, who she's been crushing on for longer than she'd like to admit. ;)

It might not work out, I know, but I thought it'd be kinda fun to try anyway. :P


That's it, and I hope you enjoyed reading my answers to these questions! Now I'm so curious about what everyone is working on. If this is something you'd be interested in doing, PLEASE steal these questions from me and do your own post about your WIP. I'd LOVE to hear about your inspirations and ideas! :)

Monday, September 26, 2011

Choosing a Story Idea

Hey everyone, sorry I've been MIA from the blogosphere for the past week or so. I'm planning on catching up as much as possible, so I'll be going around to comment on posts I missed. Also: the amazing Peggy Eddleman gave me an award! Yay, thank you, Peggy! :D Definitely check out her fun, gorgeous blog if you haven't already.

In one of my previous posts, I talked about how I get story ideas, and I loved hearing from all of you about your sources of inspiration!

For this post, my question is: what do you do with all those ideas once you get them? How do you choose which one to focus on first?

I tend to be pretty good at recording potential stories. When I was younger, I got so excited whenever I got an idea that I didn't bother much with planning ahead. Instead, I'd jump right into writing the opening, whether by hand or in a Word document, and maybe make some rough notes about how awesome my character is.  (Sadly, that was usually as far as I got before I got stuck and moved on to a new, similarly plotless idea.)

Now, I keep track of story seeds in OneNote, which allows me to organize information in a hierarchy of notebooks, groups (which I treat as folders), sections, and pages. I have a separate folder for each story, and that's where I jot down my plot, character, and scene notes. Sometimes I'll find myself daydreaming about a particular story and adding to it that way; other times, I'll think of something cool and then find the story it'd fit into best (or, sometimes, start a new story folder).

So I guess you could say I like to brainstorm for multiple stories simultaneously. That's my way of dealing with the Shiny New Idea Syndrome: start a new file and add bits and pieces to it when inspiration strikes. It's fun to have different stories to think about, and if I come up with a concept I love but is totally wrong for my current project, it's satisfying to be able to find it a home elsewhere.

I like having lots of ideas, but I know it's important to pick one story to prioritize; my goal is to finish a manuscript, and that means choosing one idea and seeing it through to completion. Which brings me to my second question: how do you pick?

I wish I had an answer that was rational and helpful to others. The way I chose which idea to focus on is probably the opposite of what you're actually supposed to do. I mean, most people probably choose the idea they're most passionate about, or is the most developed, right? Here's how it works for me...

How Linda Chooses a Story Idea

1. Inspiration strikes! I have an awesome story idea! Yay! :D

2. *Starts developing plot and characterization, and dreams up a few scenes*

3. OMG it's going to be the BEST STORY EVAR! I even have a plot! So exciting! :D :D :D

4. Oh wait, I've never completed a novel before.

5. First novels usually suck, right? So if I want this story to turn out decent it can't be the first thing I write. :(

6. What to do, what to do?

7. No problem, I'll just have to become a better writer first so I can do my AMAZING STORY IDEA the justice it deserves!

8. *Stashes idea in folder labeled STORY IDEAS FOR WHEN I SUCK LESS*

9. *Thinks up new story for practice novel*

10. *Writes character studies and begins plotting*

11. Wow, I adore my MC! And her love interest! This is so fun! <3

12. Oh no, I like this story TOO MUCH. Argh, this is not supposed to happen! >=[

13. My awesome MC should totally have her story written by someone who knows what she's doing.

14. I guess that means I don't want this one to be my practice novel either. Hm.

15. *Stashes idea*

16. Next!

17. *Digs around in old files for another one*

18. *Blows off dust on old idea*

19. Ooh, this one seems interesting. I think it can work if I add in this one bit from that idea over there and this other thought from a few months ago.

20. Uh oh. The pieces kind of don't fit together.

21. What was I thinking?!

22. Ugh. I'm so stupid! Stupid stupid stupid.

23. *Brainstorms some more*

24. Wait... wait... omg I think I just managed to get them to make sense!

25. YES! I'm brilliant! This is going to be so amazing! Can't wait to write this!

26. But what if I ruin this story with my lack of experience???

27. *Pictures self inadvertently mangling lovely story idea*

28. *Bites nails*

29. *Whimpers*

30. *Glance furtively at stashed ideas*

31. *Takes a deep breath*

32. No! I will NOT repeat the cycle! I'm going to write this story even though I'm hopelessly in love with it and terrified of messing it up. I know it won't match up perfectly to my vision, and that will hurt, but it's ok. The important thing is to move out of this story-choosing limbo, get something finished for once, and learn from the experience.

33. Plus, my story will be awesome!

34. Ok, maybe not. But I'm sure I'll come up with more ideas later and probably adore those, too, so I shouldn't worry about ruining or using up my precious ideas. I can always improve the story later, if, after writing other projects and getting better, I still think it has potential.

35. Whew. I guess this one's the winner, then.

36. That wasn't so hard, was it?

37. Oh wait, I think the hard part will be actually writing...


So there you go, my lovely 37-step process for choosing a story idea. It's a bit ridiculous that I kept coming up with new ideas because I loved the other ones too much and didn't want to ruin them, but at least I've put an end to the cycle. And now I don't have to worry about not having any ideas!

But since my method is probably not too helpful to anyone else, here are some recent blog posts on the topic by other writers:

So, what about you? Do you work on multiple ideas simultaneously or just one at a time? How did you decide which idea to focus on? Feel free to leave me links to other blog posts on the topic!

Wednesday, August 31, 2011

If All Else Fails, There's Always IdeaMart

Sorry I haven't been as good with posting lately. I meant to get this posted over the weekend, but that didn't really work out. Oh well, better late than never, right? ;)

"Where do you get your ideas?" It's a question I come across in a lot of author FAQs and interviews. Popular answers include "my brain," "life," "everywhere," or, with a dash of irony, "that grocery store around the corner." I know it's a vague question, one especially difficult to answer for people who are constantly inspired, and yet I can relate to that sense of curiosity regarding writers' creative processes. I love reading posts about how people write. Sometimes I try to steal one or two of their tricks, and other times I just marvel at how personal and idiosyncratic the writing process can be. So here's my take on how I get story ideas, for those of you also fascinated by the writing process. I'm hoping this post will come in handy when I'm a rich and famous author and get asked that question all the time! ;)

When I was younger, my story ideas centered around characters I wished to be. I've mentioned before that I loved pretending to be a magical princess with my friend and sister, and we spun stories about our adventures that I tried (unsuccessfully, I'm afraid) to knit into a novel. Later stories I wrote featured wish-fulfillment protagonists, such as a recent graduate from the mages' university, a shape-shifter with golden eyes, or the new girl in town who wins the heart of the hottest guy in school (so yes, I can understand the appeal of Twilight).

I didn't stop daydreaming when I got older, but I did stop trying to turn them into stories for a while. By the time I began to consider writing again, my story ideas were no longer inspired by fantasies wherein I was a special snowflake. Instead, real life intruded, and traumatic emotional experiences became my muse.

Of course, "traumatic" is subjective. I'm fortunate enough to live a life that has been, for the most part, happy and trouble-free. I have not experienced the death or severe illness of a close friend or family; I have not been abused or assaulted; I have never been in want of food, or shelter, or love and support.  I am beyond grateful for the blessed life I live. Any difficulties I've encountered seem trivial in light of all the good I enjoy, but they nevertheless evoked emotional struggles that were real and significant to me. They marked me and forced me to grow. They inspire me to write.

There was the time I lost a close friend due to my own flaws. Maybe I deserved it, but it hurt, so much, to feel that I wasn't worth a second chance despite my apologies. It pained me that someone whose opinion I highly valued had deemed me irredeemable and found my worth as less than the obstacle of my imperfections.

There was that crisis of faith in my sophomore year of college, when I grappled with guilt and doubt and fought surrender. I tried to ignore the internal battle because I couldn't see how I could ever force myself to choose. It seemed impossible.

Or the time my family was on the verge of falling apart, and I hated myself for not being powerful or brilliant or strong enough to fix everything that was wrong. I cursed my helplessness and drowned myself in despair, unable to bear the burden I'd placed upon myself.

Small, perhaps, in the grad scheme of things, but these and other experiences mattered to me and shaped who I am. I saved up those feelings of hurt and anguish and anger, and amplified them by imagining greater stakes and harsher consequences. What if someone's crisis of faith could cause a war? How does someone face a responsibility, too great to bear, that could mean the life or death of hundreds? What would force someone to fight through feelings of inadequacy and worthlessness to save the world? Those heightened emotions become the heart of my stories, the dark moment my protagonists must face and conquer.

Some things flow easily from that kernel. Theme, for one, is closely tied to the greatest struggle the protagonist must face. I also consider what traits, values, personality, and experiences would make the decision the most difficult for someone, and thus flesh out my main character and her arc. These elements can influence certain worldbuilding decisions, and a few plot points come to mind, too, as the dark moment must be triggered by a crisis and bring about a climax and resolution.

Other aspects of developing story ideas are difficult for me, though. High-concept premises would be one; I try to come up with a cool-sounding idea separately and see if it can fit with any of the stories I want to tell. Settings have never been my strong suit, either, and beginnings tend to be nebulous since I essentially start with the ending.

I wonder what it says about me, that most of my story ideas come from inflicting an intensified version of my personal struggles on a figment of my imagination. Maybe I write as a form of therapy, as Biljana at LTWF does with her fiction. It's my way of writing what I know, and I hope that I can become skilled enough to take my readers on an emotional journey with my words.

So, enough about me. I want to hear how other writers come up with story ideas. Are you consistently inspired by certain observations, experiences, or media, or is it different for every project? What usually comes first when you get a story idea? How does that influence the way you develop the story? Feel free to leave me a link if you have a blog post on the topic!

Thursday, June 16, 2011

For My Fifteen-Year-Old Self

This is the first post in a series about creating a vision of what I want to write, as mentioned in my novel-writing game plan.

I've loved reading for as long as I can remember. My favorites as a teen were YA fantasies, and I still adore them now. I always dreamed of escaping to a magical world, having swashbuckling adventures, and living happily-ever-after with a swoon-worthy guy as the heroine of my own story. I figure the next best thing is penning (or typing, I guess) a YA fantasy novel myself, and write the story I've always wanted to read.

Thus when it comes to envisioning the kind of books I want to write, I already have my target audience in mind: my fifteen-year-old self. I was (and remain) a picky reader, and much of what I want to write is shaped by my reading preferences.

First, the protagonist. I idolized those strong, brilliant heroines I read about; I wished so much to be more like them, or to be part of their world. And yet a part of me felt it was impossible. As often as I fantasized about magically falling into their stories, I knew could never belong — I would be grossly out of place with my East Asian features.

I felt this even as a kid, when I played make-believe with my sister and childhood friend. We pretended to be magical princesses fighting to save our beloved kingdom from our wicked stepmother. Our alter-egos never looked like us, not even when we wanted a break from being princesses and pretended to be their maids (and best friends, of course). They were all blondes or brunettes or redheads with eyes the color of emerald, or sapphire, or steel. Because really, it would be ridiculous to have brown-eyed, black-haired Asian girls living in a medieval fantasy world... wouldn't it?

Almost all of the heroines I admired as a teen lived in worlds composed solely of people who looked nothing like me. I hated feeling I could never be a part of the worlds I loved so much, that I could only aspire to be like the characters in Asian historical fiction or Chinese mythology — who, at times, felt foreign and exotic to me, with values and worldviews that had but little in common with my Asian-American ones.

There were a lot of pseudo-European fantasylands; where were all the pseudo-Asian ones? Or, even better, where were the books where the protagonist happens to have Asian features, set in a fantasyland that's not based entirely on ancient China or Japan?

I know these books exist now, thanks to the increasing diversity of YA. And I am so, so grateful for the authors writing those novels. I admire them to pieces.

But to be completely honest, so far I haven't been able to find a book with an Asian protagonist that I can connect with deeply, despite how much I want to adore those books. It is completely unfair to the authors, because I think that, after so many years of longing, I've built up a specific ideal of the book I wish I could have read as a teen — and the books I read are the authors' visions, not mine. The only way to fix this is to start writing my own, so I can stop comparing the books I read to what I wish they were, and enjoy them for what they are.

That is why I'm going to write — for myself, because there are stories I want to tell; because, after all those years of reading, I want a story that belongs to me: a story that my fifteen-year-old self will embrace and adore, one that tells her that she, too, can be the heroine for once.

So I will write, and the protagonist will live in a world where she isn't out of place for looking Asian, and she will be capable and brave and clever and interesting and selfless (or try to be). She will fight for what she cares about and seek to do the right thing, and she will be the protagonist because of the strength of her character and not because of her birth — she will not be special due to a rare magical power or unique eye color or ancient prophecy, unless I am subverting those tropes (and I will). I will gift her with my own flaws, as well as with virtues I'm still striving to develop, and she will persevere despite all the difficult decisions and heartbreak I throw at her. And I will have succeeded with her when I know my teenaged self would read that book over and over just to watch her in action, laugh and cry and gush over her, and wish desperately to be half as amazing as she is.

It will be a challenge, to be sure; despite reading widely, there are few protagonists I can say I truly adore. Still, I am excited. After all, these are books I'm dying to read — ones that no one can write but me. :)

Thank you for reading! Next week I'll continue the series with my personal preferences for plot, setting, romance, and all that good stuff. Do you have protagonist pet-peeves? Are you also motivated to write by the need to read the book of your heart?